Stringing Along

Bob Stern, Camille Garcia, Jimena Jimenez Cacho, and Gil Gutierrez

Bob Stern, Camille Garcia, Jimena Jimenez Cacho, and Gil Gutierrez

Last sunday here in San Miguel, we were treated to a great performance by Gil Gutierrez, with Camille Garcia and Bob Stern who are joining him this year on accordion and violin, and with the special addition, for the first time this year, of Jimena Jimenez Cacho on Cello. Very welcome to me as my mother was also a cellist and every day of my childhood was spent listening to her wrestling one into submission. My job was the rosin.

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Going Round in Circles

Jonathan Fisher's suggested new radial and orbital London Tube map

Jonathan Fisher’s suggested new radial and orbital London Tube map

 

 

 

 

 

 

 

The current London Tube map, based on Harry Beck's 1931 angular original.

The current London Tube map, based on Harry Beck’s 1931 angular original

For years now, Harry Beck’s angular London Transport tube map has been the seminal example of how to diagram transport systems. However, the system is much more complex now than when it began because in Europe they add to transportation systems as the population expands rather than in the US where public transportation is viewed as a moral hazard, encouraging people not to be entrepreneurial enough to be able to have their own limos. Designer Jonathan Fisher has responded to the resultant cartographic complication by suggesting a map based on the more conceptual idea of radial and circular lines, which is more how you think of your travel. You pop into a hole in the ground at Tottenham Court Road, and pop out again in Hampstead, which in your mind is simply northish of where you started. You are both unaware, apart from it being irrelevant, that you did a lot of wiggling around underground in between. Similarly, the Circle Line isn’t exactly circular, although conceptually it is, in a round about sort of way.

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End of the Day

Two women in the Jardin, San Miguel

Two women in the Jardin, San Miguel

Among the schoolkids playing football, and the Mexicans and Gringos just wandering around or sitting beneath the trees, there are always some regulars that we see in the Jardin every evening. This elderly woman, nearly bent double with rickets, makes her way laboriously step-by-step across the plaza in front of the Parochia each day at sunset. It is both painful, and exhilarating, to watch her determination, and her good nature, acknowledged here by another regular who sells trinkets and folk-art items to the evening strollers.

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David Alfaro Siqueiros Again

David Alfaro Siqueiros, 1971, Photo by Lance Wyman

In response to the post below, Lance Wyman sent me this great photo of Mexican muralist Siqueiros he took in 1971 when he (Lance) was down here after completing the graphics for the Mexico Olympics and the Mexico Subway among other things. In 1949, Siqueiros, who had been hired as a guest lecturer at the Instituto Allende in San Miguel, had a falling out with its director over the fees for a mural he had been asked to paint together with his students. As a result he chucked the Director down a flight of stairs, the faculty and students walked out in support of Siqueiros, and the school was forced to close. I often feel that way about some of the fees we are offered. Must start looking for some appropriate stairs.

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The Yellow Peril

Mats Theselius National Geographic cabinet

 

What to do with 444 copies of National Geographic magazine? They seem too nice to chuck away, but where the hell do you put them? I discovered this great cabinet in Dr Gerry Acevedo’s waiting room (he’s our dentist) in San Miguel this week. The cabinet is the brainchild of Swedish designer Mats Theselius, who created this wonderful icon in response to his same problem. Our problem is, I gave up a few years ago and chucked ours all out. It’s worth renewing our subscription just as an excuse to get the cabinet.

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Viva Whoever

Zapatistias, Villistas, Maderistas ?

Emiliano Zapata, Pancho Villa, Francisco Madero ? Not sure who this lot were followers of, but I found this photo pinned to the wall in Jorge’s barber shop on Animas this week here in San Miguel. Maybe just employees of the railroad. Now that’s real Mexico. Nowadays, not a sombrero or bandolier in sight. Heavies just don’t seem to have any style anymore.

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Rebar Roman

Crucifix in Parque Benito Juárez, San MIguel de Allende, Mexico

This wonderful crucifix stands in the Parque Benito Juárez, San MIguel de Allende, Mexico. What is best about it are the inscriptions – a typeface created with welded letters made out of steel rods and floated off the surface a couple of centimeters, creating intricate shadows against the colored surfaces. I would love to do this on the next fancy auditorium we have to name in New York, although I don’t know what we would do about the sun.

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Siqueiros Mural in the Bellas Artes on View Again

Siqueiros mural in the Bellas Artes in San Miguel

After a couple of years in hiding due to renovations that were necessary because of a roof collapse elsewhere in the building, the 1940s mural painted by David Alfaro Siqueiros is now on view again in the Escuela de Bellas Artes, here in San Miguel. In addition, the ground floor galleries have been renovated and house a wonderful exhibit of Twentieth Century Mexican painting and sculpture. Well worth a visit even if the courtyard café is not open yet.

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Mexico’s Star Wars Initiative

Mexican Special Forces operative wearing a Mexican Ghillie suit in San Miguel

Not to be outdone by President Reagan’s 1983 Star Wars Initiative, Mexican Special Forces operatives disguised some of their troops as Chewbacca, at immediate standby to scare the crap out of any military invaders. Unfortunately, they are not effective for deployment in the drug wars, as those involved are seeing things like this all the time. Here, a Ghillie suited operative was observed marching in the big military parade on Allende’s birthday in San Miguel today. Another was spotted in Central Park last May.

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Spaced-Out

Henning Mankel book cover, left, as published, right, with a bit of love and attention.

It is difficult to imagine a publisher tolerating bad grammar or the mis-use of vocabulary in the content of a book, so why would they accept the equivalent thing graphically on the jacket? The concept here is fine. The use of Gill Sans as a typeface and the selection of the photo and color palette work very well, but the type appears to have been spewed out of a computer onto the page with no further consideration. In the left illustration, as published, why is the W of WORLD creeping lasciviously toward the O? Why isn’t the book title centered under the Author’s name, and why aren’t the authors first and second names optically centered with each other? Why are the N’s of HENNING rubbing shoulders while the poor little I is left all alone and unloved. And who is MA NKELL, the author’s mother perhaps? And the spaces between the words are big enough to drive a truck through. With a design composed of just 39 upper-case letters, the whole point is to put them down caringly on the paper in the right place. Anyway, on the left is how it is, and on the right a suggestion of how it could have perhaps been improved, in this case courtesy of half an hour’s work in Phototshop. With an hour’s work in the original layout program it could look even better. Aaargh! (I hope that was spelled correctly).

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